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Bathtubs and Showers Covers Heaters Electric showers Liners and Waterproofing plaster Hydraulics Basic Material Sinks tubs and countertops and tile floors Doors and windows Plumbing Paints Brick and block Events
Abimad ABUP BGourmet Casa Cor Campinas Brazil Home Décor Craft Design Weekend Eletrolar Feicon Batimat how do bees make honeycomb Gift Fair Celebrity Kitchen & Bath Live More For Less Milan Maison & Objet Parallel Best Architecture Award Award Award Planeta Casa Casa Claudia Coat Wellness
Posted on August 30th, 2013 Emma Thomas Gallery opens two exhibitions this weekend Galeria Emma Thomas in St. Paul, Featured inaugurates exhibition lies with rockets, Mark Gorgatti, and Them and Us, Theo Firmus. Stay on top of events the Newsroom
Galeria Emma Thomas, today, inaugurated the exhibition stand rests with rockets, the São Paulo artist Marcos Gorgatti, and Them and Us, Theo Firmus, a Brazilian living in Madrid. The shows will be on display until September 26.
Featured lies with rockets is the second time the artist Marcos Gorgatti exhibit their work in the gallery Emma Thomas. The show features three works that are interconnected by the design how do bees make honeycomb and installation speech: Desenhocop is a series of watercolors from reproductions of illustrations from the book of the same name, commonly used in the 1960s and 1970s. The second work, titled Walk is an installation that occupies the entire how do bees make honeycomb floor of the main room of the gallery, proposing the subversion of standard how do bees make honeycomb hydraulic tiles of traditional São Paulo sidewalk. how do bees make honeycomb Have Car Crash is a sculpture of industrial foam that simulates the subtle and ironic way a car accident, thereby extracting the violence of that impact.
The second exhibition, Them and Us, Theo Firmus, is a poetic study of social relations, on and near distances, and also about the elements which trigger such situations, such as coercion, hierarchy and affectivity. The show features ten small format drawings and three large, all addressing the formation of different groups. Some works play with the presence of the viewer, in which its reflection and its shadow enable or prevent these relationships occur.
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